SAMMY SEUNG-MIN LEE
Sammy Lee is an artist based in Denver, Colorado. Lee was born and raised in Seoul, South Korea, and moved to Southern California at the age of sixteen. She studied fine art and media art at UCLA and architecture at the University of Massachusetts Amherst.
Among her many accomplishments is a performative collaboration
with Yo-Yo Ma during the Bach project tour in 2018. Lee is recently a resident artist at Redline, serves as an ambassador for Asian Art at Denver Art Museum, and operates a contemporary art project and residency space, called Collective SML | k in Santa Fe Art District, Denver.
Lee's work has been exhibited internationally and can be found in collections at the Getty Research Institute, Bainbridge Island Museum of Art, Spencer Museum of Art, Denver Art Museum, and the Spanish National Library in Madrid.
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STATEMENT
"What use is three bushels of beads if none of them are threaded?"
As the sage Korean proverb suggests—value is in the reinvention, connection, and unification of the fragments. In the studio, this is my guide; I arrange chaotic piles of bits and pieces to realize a whole. Whether in installations or hand-made books, my work transforms and re-contextualizes familiar items into art objects that reflect my personal history. The creative process resembles my experience of (un)conforming to a new homeland; it calls for certain self-renewal while summoning and translating the past. As a first-generation immigrant who spent much of her youth in a nomadic state, I use found objects and memories as material to investigate a sense of home.
I keep my hands busy in water; soaking, squeezing, kneading, and pounding layers of papers. Preparing a paper-skin is a laborious and cathartic process; time and effort transform fragile and delicate sheets into a leather-like substrate that is resilient and tough, yet luminous. My paper-skins take the shape of objects, becoming a hollow representation of the original piece (bas-relief). Other times I wrap objects such as suitcases and discarded shop signs to create new three-dimensional artwork with creased textures and scar-like markings resulting from the weight of water that was once present.
Typically these works question socio-cultural issues surrounding a sense of belonging, home, the foreign body, cross-cultural psychology, and immigration. My installations and books are both interactive and relational; installations correspond to the body's range of movement as it explores and performs within the space. I want the viewer’s experience of my art to create new communal stories. The skin-like tactile quality and intimate hand-held scale of books emphasize the more introspective and private meanings.
SOLO AND TWO PERSON EXHIBITIONS
2020 Remind Me Tomorrow, solo installation, People’s Building, Aurora, Colorado
2019 Saving Lions by Killing Them, Two-person exhibition, Odessa, Denver, Colorado
2018 Molding Memories, Solo exhibition, Lakewood Cultural Center, Lakewood, Colorado
2017 Constructing Spatial Books, Solo artist’s book exhibition, B-platform Gallery, Seoul, Korea
Intrinsic. Matter., Two-person exhibition, Japanese Friendship Garden, San Diego, California
2014 Beat. Spread Out., solo exhibition, Boulder Museum of Contemporary Art, Boulder, Colorado
SELECTED GROUP EXHIBITIONS
2020 ID, Please, Korean Cultural Center, Washington, D.C. (postponed to 2021)
COVID Masks by artists, Vicki Myhren Gallery, University of Denver, Colorado
The Walls Between Us, Center for Visual Art, Denver, Colorado
Pink Progression, Arvada Center, Arvada, Colorado
Synesthetic Cyphers, Walker Fine Art, Denver, Colorado
2019 Turning Points, Royal University of Fine Arts, Phnom Penh, Cambodia
The Fulfillment Center, Black Cube Nomadic Museum Headquarter, Englewood, Colorado
Invictus, Global Livingston Institute, Entusi, Uganda
Finding Place, Walker Fine Art, Denver, Colorado
Mirth Myth & Mystery, La Napoule Art Foundation Alumni Exhibition, Redline, Denver, Colorado
Now That I Have Your (un)divided Attention!, Redline, Denver, Colorado
2018 Bombay Sapphire Artisan Series, Scope art fair, Miami, Florida
Wounds, Dar al-Kalima Gallery, Bethlehem, Palestine
Urban Aggregate, Georgia, Denver, Colorado
Liminal Space, DMZ Museum, DMZ, Korea
Made in Colorado, Emmanuel Gallery, Denver, Colorado
Art & Soul, Art Students League of Denver, Denver, Colorado
10x,10th Anniversary Retrospective Resident artist Exhibition, RedLine, Denver, Colorado
2017 Time Zone Converter, Korean Cultural Center, Beijing, China
Complementary, Art Students League of Denver, Denver, Colorado
Integrated, Korean Cultural Center, Washington, D.C.
The Obscured Self, RedLine, Denver, Colorado
Built, 23 Sandy Gallery, Portland, Oregon
Nice Work If You Can Get It, RedLine, Denver, Colorado
2016 Nancy Benson Thread Studio Installation, Denver Art Museum, Denver, Colorado
Artists' Book Cornucopia VII, Abecedarian Gallery, Denver, Colorado
Wanderlust, 23 Sandy Gallery, Portland, Oregon
2015 Readers Art, Minnesota Center for Book Arts, Minneapolis, Minnesota
Art & Soul | Soul Struck, Space Gallery, Denver, Colorado
Beyond Words, Foothills Art Center, Golden, Colorado
2014 World Script Symposia, installation and performance, Sejong Art Center, Seoul, Korea
Coptically Bound, Abecedarian Gallery, Denver, Colorado
The Show Must Go On, traveling exhibition curated by Total Museum, Seoul, Korea (show traveled Romania, Malaysia, Italy, India, Thailand and Singapore)
Urban Volumes (생명이 자라는 책), Seoul Institute, Seoul, Korea
PUBLIC COLLECTIONS
Bainbridge Island Museum of Art, Bainbridge Island, Washington
Baylor University, Waco, Texas
Cal Poly, San Luis Obispo, San Luis Obispo, California
Carnegie-Mellon University, Pittsburgh, Pennsylvania
Chapman University, Orange, California
Children’s Museum of Denver, Denver, Colorado
Colorado College, Colorado Springs, Colorado
Denver Art Museum, Denver, Colorado
Getty Research Institutes, Los Angeles, California
Indiana University, Bloomington, Indiana
Indiana University – Purdue University Indianapolis, Indianapolis, Indiana
Lafayette College, Easton, Pennsylvania
Ottchil Art Museum, Tongyoung, S. Korea
Seoul Institute, Seoul, S. Korea
Skidmore College, Saratoga Springs, New York
Spanish National Library, Madrid, Spain
Spencer Museum of Art, Lawrence, Kansas
University of California Berkeley, Berkeley, California
University of California Santa Barbara, Santa Barbara, California
University of Colorado Boulder, Boulder, Colorado
University of Denver, Denver, Colorado
University of Washington, Seattle, Washington
University of Wisconsin Madison, Madison, Wisconsin
University of Wisconsin Milwaukee, Milwaukee, Wisconsin
SELECTED BIBLIOGRAPHY
2020 Further Reading, Touch essay, by Gillian Silverman, Oxford University Press
2020 Goraeya Magazine, Rockscape suit by Jiyon Kim (February 2020 issue)
2017 The Korea Daily, Exhibition preview by Sooyeon Oh (November 9, 2017)
2014 Surface Design Journal, Summer (2014 issue)
2013 500 Handmade Books, volume 2, by Julie Chen, Lark - Sterling Publishing
2012 1,000 Artists' Books: Exploring the Book as Art by Sandra Salamony, Quarry Books
Guild of Book Workers Journal 2012, ISSN 0434-9245
ONLINE
Denver Art Review, exhibit review by Danielle Cunningham(September 11,2020)
Westword, exhibit review by Michael Paglia (February 5, 2020)
303 Magazine, exhibit review by Cori Anderson (January 29, 2020)
Denver Art Review, exhibit review by Samantha Hunt-Durán (November 25,2019)
Westword, exhibit review by Michael Paglia (October 30,2019)
CPR News, exhibit preview by Stephanie Wolf (October 2, 2019)
Finding the Right Vessel, a conversation with Sammy Lee by Odessa (2018)
WRITING
2017 Korea Magazine, cover story (author), No Lost Art (July 2017 issue)